Ramses awakens in 1914 in London, years after his previous awakening. When he had reigned over Egypt he learned the formula to make an elixir that made him not only immortal, but superhuman. He apparently is highly intelligent, reflected by learning English in record time. I personally wonder how intelligent he is, because some of the decisions he makes in the story aren’t the brightest. However, his poor decision making is what drives the plot.
Anne Rice loves her immortals. I think perhaps Ramses is my favorite type of immortality featured in her books. Unlike her vampires, Ramses doesn’t seem to have any flaws (Other than thinking with his little head), but seems to enjoy all the benefits of her older vampires. Although, I personally would prefer Ramses’ immortality, it doesn’t really do the book any favors. A good book needs flaws, and poor decision making doesn’t really do it for me.
All in all, I’ve always enjoyed Anne Rice, and I think this is a fine read, just not as good as some of her others.
Today’s the big day. The Unfettered Child released, and it is momentous. My nerves are on end as my wife and I sit and watch the day’s activities online. So far, Amazon has yet to release the paperback to the public, which is kind of an important factor and the most nerve-wracking situation. Hopefully, it will be up by the time I publish this post. The ebook had 13 preorders, and those went out first thing this morning.
Amazon may, unfortunately, take up to three days for the paperback to actually be available. In the meantime, we are waiting before we send out the brunt of the ads.
One of my ARC reviewers dropped their review on Amazon, marking the first one on the site. Also, 100 readers won the ebook on Goodreads last night, and I hope they will also drop some (preferably good) reviews.
Incidentally, we put Assassin Marked on Amazon promotion for free today through September 1, and it is blowing up. Hitting #1 in all three categories that it’s in, and sitting at #34 in the free Kindle store last I checked.
While we wait, we’ve been catching up on other things. I’ve been writing answers for some author interviews, I’m working on this blog post as we speak, and we’re getting out more advertisements on social media, as well as marking ad date releases for the calendar.
I almost forgot to mention that I am hosting a launch party at our local comic shop this weekend starting at 7 p.m. I ordered business cards, some bookmarks, and a t-shirt for me to wear, and there will be cake! The details are here: https://www.facebook.com/events/486097878841426/
I can’t wait to see what you guys think of the new book. Please let me know.
Chuck Palahniuk is weird. No skirting around that, he just is. But I really like his style. When I first rated this book, I gave it a 4-star rating, but I’m returning to write a review, and I decided to augment that with an additional star.
The unnamed protagonist suffering from insomnia seeks refuge by joining many support groups by impersonating a seriously ill person of that assembly. When he meets Tyler Durden, we eventually discover that our protagonist has been slowly slipping into madness throughout the book.
Palahniuk’s big reveal at the end would have surprised me had I not seen the movie first. Still, I feel that Palahniuk’s ability to shock his readers executes perfectly in Fight Club.
Looking for something different to read? Give this book a chance. Seen the movie? Great! It was a good movie, but the book is better (even if it doesn’t have Brad Pitt).
I’ve been thinking a lot about this subject. I keep reading at different places that, as an author, I must create a brand. I have never quite understood what this means. After doing some research, I think I discovered a possible explanation.
I may be wrong, but it sounds like making my work into a series or writing about a world that I created to write my stories in.
Why would I want to do this? I know it helps generate sales, because readers get attached to your world and your characters, but I’m not really into writing about the same characters in one series indefinitely like so many authors do.
I have so many ideas, and many are not in the same genre. I have a comedy in mind, several horror stories, and a steam punk adventure. Let’s not forget my current publication, Assassin Marked, a science fiction crime novel, and my soon-to-be-released dark fantasy, The Unfettered Child.
As I pondered this, I turned to one of my favorite authors, Stephen King. Everyone knows him as a horror writer, but he isn’t really. He has written many different genres, although I don’t know that he has written any space operas (he could have, but I don’t know of any).
I know at this point in his career Stephen King’s brand is his name. I know I’ve picked up many of his novels just because of his name. However, if we really think about it, Stephen King does have his own world he writes in. It’s earth, but it’s this strange and twisted sort of earth with many different realities within it.
Anyone who has read his novels knows that a good majority of them, if not all, are tied together in some way or another. He has a recurring villain, bits and pieces of The Stand show up in The Gunslinger, as does a creature like the one in It. His towns in Maine show up time and time again, with incidents being mentioned by this character or that.
One of my favorite novels, Insomnia, ties in to Itand others (I can’t think of the titles right now).
Anyway, I started to think. I have this world that Samara and Orin’s story takes place in (my protagonists in The Unfettered Child). I have these characters, and other characters too. Abdhul Havelle, Sigmia, Illtud, Nikolai, Zayra, and let’s not forget Priestess Samara, who saved baby Samara’s life. These characters could have adventures of their own.
My editor also pointed out that I could have my other stories tie into the world somehow, although I have no desire to tie The DuFonte Chronicles to my world, as those stories come from our very own Earth in some terrible version of the future.
Maybe I’ve missed the meaning of “branding.” What do you guys think?
During my previous three Making of a Cover posts, I told of my adventures during the week leading up to the photo shoot. Designing the cover in Photoshop had actually started weeks before that. I had so many projects going in the design of this book! Before I had my model, I had created various working covers to choose from, along with a number of text fonts to try out. Layouts, backgrounds, foregrounds, ideas upon ideas. Well, just look at them all: https://www.facebook.com/pg/MichaelCSahd/photos/?tab=album&album_id=671475539957154
I really disliked these covers, but they were improving as I went along. The typography was another mess, and like with many of my other ideas, I turned to social media to request help deciding what to pick.
Using social media to help me decide what looks better turned out to be a very smart move, not only because my followers let me know their thoughts on the designs, but also for another reason that I will discuss in a bit.
Now came the fun part. I had my pictures from the photo shoot, and I needed to make a cover. Unfortunately, the pictures at the park didn’t sit right with me. The environment in the cold mountains of Aaruda are not the same as the humid briar lands of central Texas (Aaruda is what I named the world that Samara lives on, but it’s not really mentioned in the story. The inhabitants don’t often use the word for their planet, but I will definitely say more about it later. Maybe in another blog post, maybe in another book).
Before I could start making the cover, I had to rifle through over 200 images to find something I liked and wanted to use. The image above is the one I finally settled on.
Then I had to get a background I was okay with using. For this, I turned to Pixabay, where I found this neat photo of a tree being struck by lightning.
Next, I had to remove the figure from the background. This is not an easy task. Any Photoshop user can tell you, hair and fur are a pain to separate from a background, even a green one. This gave me such a headache. This process is so difficult that my first two attempts were very shoddy.
Take a close look at the hair and the fur. I’m sorry, but it’s terrible. She’s got some weird spiky thing happening at the edges. What happened is, in an attempt to get rid of the green screen, I had to desaturate the green in the image around the edges, making them appear dark. Hence the reason for the darkness at the tips of the fur.
I really, really disliked this and turned to Youtube to figure out a method to fix it better. What I found was instructions on how to paint hair back into the picture. So I recut out the model and got to work repainting the hair after the cut. I was very satisfied with this, and almost called it good:
However, before I washed my hands of it, I returned to social media to get opinions on my work, and let me tell you that I’m so glad I did. Three artists from the #artistsoftwitter community came to my rescue.
No, I’m not talking about Dungeons and Dragons. I’m talking about character sheets for the characters in novels. Not to say that I haven’t used D&D to make characters for my novels, because I certainly have. However, Dungeons and Dragons lacks some very important elements for characters in books.
You want your characters to be memorable. You want them to be believable (at least in some ways). You want them to be unique. How do you go about doing that? Well, I’ll start by telling you how I do it. Then I’m going to share some resources I found to help.
However, since I mentioned resources, I’ll actually start with what I use to outline, keep notes, store information, and begin my writing process. Google Docs! Why do I choose Google Docs? Because it’s easy, it’s organized, and I can access it anywhere I want.
The hitch is the internet requirement for using Docs, and it’s true, it’s quite painful to not have access to my documents when I’m not connected to the Interwebs. With that said, I only work when I’m at a computer, and I rarely am not connected.
What you see above is the spine of my projects, with each folder being the start of a project I’m working on. Within each of these, I keep the main body of the work, broken down by chapters, and then I have a folder as well that contains notes. It’s in the notes folder that I keep my character sheet.
Now for the structure of my character sheet, or what I prefer to call my Character Portrait. I start with the name. That’s kind of a given. Then I go into physical appearance, but I don’t go into great detail here. Instead, I focus on defining traits. For example, Samara’s people are of a darker complexion like that of the Chinese or Mongolians; however, Samara is paler than most of her kind. Also, she has abnormal, night-blue eyes, almost black, whereas most of her people have brown or hazel eyes.
Next, I focus on the character’s history. Why history over personality? Because history, more often than not, shapes personality. Samara’s people are nomads. Life is difficult for them, and they rely heavily on one another. Therefore, Samara is very selfless, willing to stand up for others. She was also being trained as an apprentice by the tribe’s shaman. She is very devoted to her studies, very curious, and intelligent. When she learns magic, it is with determination and relentless persistence.
After history, I focus on the character’s interests before and during the story (sometimes they can change). I also put notes of significant research in the document. For example, I have extensive notes on childhood trauma and how children are affected by and deal with it.
That’s it. I have extensive write-ups for each of these sections. I don’t spend a whole lot of time developing every little detail of the character, that usually just pops in while I’m writing, and I can fill that stuff into my notes later. However, I still do make D&D character sheets, because it’s fun.
This may not work for every writer, so I’m going to tell you of some programs that I discovered, and one in particular that I’m interested in. I’m going to try using portions of it on my next project.
Bibisco is a free-to-download program that gives you a bunch of amazing features, and if you donate (at least 12 pounds), you get even more amazing features.
I’m only going to focus on the character sheet portion of this program, but it is worth checking out the rest if you need help organizing things like locations, timeline, architecture, themes, scenes, and chapters.
The first step to creating a character on Bibisco is to click on the characters tab. The program will now have two sections on the main screen: main characters and secondary characters.
On the right side is a button that states “create main character.” Click this and it will ask for your character’s name. Type it in and hit save. This will take you back to the previous screen, but now you will have your character listed underneath the section that says “main character.”
Next, click on that character. Here is what you’ll see:
As you can see you, there are five questions: Who is he/she? How does he/she look? What does he/she think? Where does he/she come from? And, Where does he/she go?
Underneath these questions are more buttons. When you click on them, you are given a more in-depth questionnaire about the character. There are a large number of questions there, so I’m not going to go into each one, but for example, the “physical features” button has questions like, “What does his/her shoulders look like?” Very, very detailed lists.
I haven’t looked into the details of these, but I found a list over on www.reedsy.com that talks about several options (paid and free) when it comes to software for novelists. Click the link for more details.
So how about it? Do you find yourself using these programs? Do you think they’re useful? Please comment below, and thank you for reading.
So I got my model, and I had my photographer lined up. What’s next? Well, she needed to look the part. I needed something directly from the book, and Samara was described as wearing mammoth skin, black leather, with a brown-and- gray fur.
My first stop was Hobby Lobby and Walmart, where I bought a few things:
This was the fabric I purchased, and I know there is very minute difference between the two black ones in the picture, but they were very different in person. The black fabric from Hobby Lobby was softer, more supple than the faux leather from Walmart.
I had a friend, as I mentioned, who intended to put this together for me, but much to my horror, he was not getting back to me. So I took the fabric over to another friend’s house and attempted to sew it myself on his sewing machine, using a pattern I bought.
What a huge mistake that was. A tailor, I am not.
Fortunately, about halfway through the day, I got a call from my tailor friend. “I’m ready to work on that costume,” he said, and I was on the other end practically leaping for joy. “Great!” I responded, I’ll be right over.” What I didn’t tell him was that I already started it on it. To his great dismay, he discovered that when I showed up at his house.
“What the hell did you do?” he asked me, when I pulled out the butchered tunic that was way too large for my daughter. Looking abashed, I said, “I was trying to get started. I had a pattern. It said it was for 6-10 year old children.” What the pattern meant by that age though, was that it was meant for 6-10-year-old children of GIANTS.
Well, he took my stuff, and I didn’t hear back from him for days.
In the meantime . . . I went to work on the kukri, and I took pictures of the process. I had to think about how to make this blade. I didn’t have a forge, and I definitely didn’t have time to learn how to make one.
What I did have was a grinder. I thought to myself, I can possibly get a large blade and cut it down to size. I ran to Harbor Freight and bought a machete for $5.99
Oh wait, let me back this up. In addition to the knife, I also had to carve some buttons for the costume. We wanted it to be as authentic as possible so, in lieu of mammoth tusk, I used deer antler (that’s about the same, isn’t it?).
Then I went online and looked up ancient Siberian carvings (because my tribal people are loosely based off of them), and went to work. We had decided on toggles, and I finished them in short order:
Okay, back to the knife. I decided to use the excess deer antler to make the handle. I cut out the blade and the handle, then glued them together:
So there’s the basic kukri. Now came the hard part. I went online to look up pictures of sabretoothed cats. I needed something with its mouth open, and I found this:
I have never carved anything like this before. Not that I had zero experience. After all, I am a jeweler and spent a good part of my life making jewelry out of lost wax. Still, this was a different beast (like what I did there?). I had to carve a three-dimensional cat’s head into a deer antler. Well, I went to work, and I think it came out just fine:
See how that progressed? Finally, I had to put on the finishing touches, such as the engraving and the gem. Considering it is a prop (although a functional one), I just hot glued the gem in place.
Making the knife was very fun.
Okay, so I had two days to the photo shoot, and I still hadn’t heard back from my friend. I had asked him if I could come over to take progress pictures, and the response I got was, “There is nothing to take pictures of.” So I was getting nervous.
The Saturday before the shoot, we went to board game night and my tailor friend showed up. As nonchalant as I could be, I asked, “Where the hell is my costume!!!” Well, not quite in that manner, but you get the idea. He told me that he would have the finishing touches done that night, and I could come get it before the shoot.
I will talk more about the next day in part three, but here is the completed version of the costume. It came out wonderfully.
Come back next week for Part 3. I will show off the pictures from the photo shoot.
If anybody had been following me when I first started the publication process of Assassin Marked, they would know the struggle I went through to come up with a cover for it. Since it was such a short story I didn’t want to spend a lot of money, and I also couldn’t find any stock photography that portrayed Damian.
Fast forward two years later to when I began preparing my first full-length novel, The Unfettered Child, for publication. I wanted to really do my best with it, so I started early. I had several plans:
Getting my daughter to model the main character
Making a costume
Doing a photo shoot
Finally, making the cover
When I first had the idea, my daughter was keen on doing the photo shoot for me. For months we talked about it, and I went about buying the supplies to make the costume. After getting these supplies to a friend of ours, Dennis Swain, a tailor who makes costumes, my daughter decided that she didn’t want to do it anymore. Understandable, she didn’t feel comfortable showing her face to 1000s of people or more.
Panicking, I searched Pixabay for a suitable image that I could use. I found a few, but I wasn’t really satisfied with any of them.
None of these were suitable, and all of them would require a lot of shooping.
I did come up with a few designs from these. The one with the beanie, I replaced with a fur hood and cropped the chest. I put some really cool effects in her eyes. It was a nice substitute, but not good enough.
The frowning, dark-haired girl was the closest in appearances to Samara, but not quite sufficient. The redhead had a good expression, but changing that hair color would have been horrible. Finally, I did something with the silhouette, and that made it close to the final design of my cover.
I was very disappointed. After some time, the subject was brought up again, and my daughter took pity on me and agreed to do it again, on the condition that her face not be shown. Not a problem, an action scene is generally better than just a simple pose.
She had mixed feelings herself. One part of her was very interested in being on the book cover, while the other part was afraid of being in front of a camera. She very obviously doesn’t like her picture taken. For me, she was the best candidate for Samara, despite her hair color.
So it was decided, we were to move onto the photo shoot.
This upcoming novel is entirely unrelated to Assassin Marked, but don’t give up hope, folks. I’m certain you will enjoy The Unfettered Child, and it won’t be too long before you see Lavender Rose’s release (the full-length sequel to Assassin Marked). Sorry, people waiting for the sequel.
Speaking of Assassin Marked! As the title to this blog post states, I am running an Amazon promotion, so you can download a digital copy of Assassin Marked for free. Yeah, that’s right! Starting right now and continuing throughout today, April 30th, you can get Assassin Marked for free. What are you waiting for? Click here to order.
In other related news, something that’s been milling around in my head is turning Assassin Marked into a graphic novel. Turns out I’m not the only one thinking along these lines. Earlier this month, I received the following review on Goodreads:
The main reason I’m bringing this up is that I would love an artist to step up and turn it into a comic book. What do you say, artists? Want to earn some royalties?
That’s all I’ve got for now. Thank you for your time.
While perusing the endless posts of writers seeking help and advice on social media, I’ve run across some who ask, “How can I make magic work in my story?”
Many established authors have broached the subject and invented unique methods, but new writers want to make something fresh.
The real question is: What is a fantasy story without magic? Of the top of my head, I can’t think of any high fantasy stories that don’t include magic of some kind. J.R.R. Tolkien, J.K. Rowling, Neil Gaiman, Robert Jordan, and so many more authors have included magic in their stories.
Each of these authors approaches the use of magic in their own way, and applies their own limits to its use. For example, Harry Potter must have a wand and must know the correct incantation. Stupefy anyone lately?
These limitations, I feel, are very important for an author to include, and would perhaps be the first thing to consider when developing a magic system. Without them, a character runs the risk of becoming a superbeing without challenges, and challenges are what make a story good.
While you are developing your system, consider including a learning curve for beginners, and the opportunity for growth. Remember Willow‘s first spell? He accidentally shot himself into a tree. Perhaps you can have a school for magic, or an apprentice system. Regardless of the method you choose, all of your characters should have a starting point, and a place to grow into.
These three things–limitations, learning, and growth–serve as a foundation to your character and their magical growth. Next, you can develop magical structure and techniques, but honestly, these are not important to flesh out unless you feel your reader needs them to understand the first three things.
In my current work-in-progress, for instance, a mage must draw upon their own inner reserve of power, which grows stronger as they practice the art. As the mage uses magic, it drains them, making them feel tired. If they push too hard, the mage will die from the exertion.
It’s a very simple explanation, and I like it that way. This allows me to focus on telling the story. Don’t let your lessons on how magic works interfere with the tale you’re weaving.
I would love to hear your thoughts on how magic works for you. Let me know in the comments below.