The Final Touches

The last few weeks have left me worn and tired. I have been working tirelessly on perfecting the cover of The Unfettered Child while also working with my editor to perfect the manuscript.

What more could be done with the cover, you ask? Actually, so much more. In fact, I found something new to fix almost every time I looked at it. It’s been a while since I did part four of this series, so let’s back up to then:

The cover first uploaded to Amazon.

As you can see, I had Samara standing in the corner, looking kind of vague, her feet shrouded in shadow (okay, a gradient really), and striking a tree in the distance with a magical lightning bolt. Something nagged at me when I presented this cover, from the beginning. I couldn’t put my finger on it right away.

Then a comment on Twitter shined a spotlight on the issue. The comment was: “Dude spent 8 years at magic school just to burn down a tree. That’s dedication to a grudge there…”

It was a funny comment, but it raised the question, “Why is she attacking a tree? Also, why should the tree be focused on at all?” So I jumped back into the file and started making adjustments. First, I wanted to focus more on Samara. I came up with this:

Samara centered in the image.

I still had issues with the above image. Something seemed off. One, she was still attacking the tree, which didn’t set well with me. I decided to enlist some help.

I went on over to Reedsy.com and signed up for an account. I already knew the website had tons of resources for authors, so I decided to look there first. However, I also knew that I didn’t have a lot of funds for this, and I do know a thing or two about Photoshop.

So I made a bid on Reedsy to five artists who looked appealing to me and might be willing to help with my request, which was a unique one indeed. Two of the cover artists flat out rejected it due to being too busy, and the rest sent me quotes.

My first quote was basically, “Yeah, your cover sucks. Let me do it over from scratch for lots of money.” The second quote was much more diplomatic, but essentially the same.

Then along came Gwen (@UponADayDreamer), who offered to be an “art coach.” I have to admit, I had no idea what that would entail, but I decided to plunge in and see what happened. At the very least, I might learn a thing or two.

The first thing she asked for was composition thumbnails. I said to myself, “What the hell is a composition thumbnail?” Instead of sounding dumb by asking her, I asked my friend Google instead. Google rarely lets me down, and didn’t this time either. So, in short order, I did this thing.

For those of you who also have no idea what a composition thumbnail is, I won’t make you ask Google. Basically, you’re blobbing your figures with grayscale to help determine where the light sources are, which will in turn help you figure out appropriate shading.

Composition Thumbnails. The last frame is a joke, of course.

I made the last five of these thumbnails to see what a lighter sky and a darker ground would look like. Also, I tried re-positioning the figure, having the tree, and not having the tree.

More thumbnails

These two were with the dark sky. I decided I like the larger figure and the darker sky out of these, so we moved on.

She then asked for more thumbnails with more details drawn in. This was the point at which I had to raise my hands in supplication. I told her, “I can do photo manipulation, but I’m no artist. I can’t draw details.” So she told me to grayscale the work and make thumbnails like that. This time, she wanted me to change a few things.

First, she said, “Your story takes place on a tundra. Oak trees do not grow on the tundra. You need to replace it with a pine or birch tree.” Fair enough. Then, she said, “You need to make it larger to show scale better. But also try some different things. Have her strike a different type of object, maybe a person, also try to just have absorbing the lightning from the sky, leaving the tree alone, and also absorbing the lightning with no tree.”

So I sent her these thumbnails next:

More details in the composition thumbnails.

As you can see, in the top left corner, she’s absorbing lightning and the tree is left alone. In the top right, the tree is gone but she’s still absorbing the lightning. In the bottom left, she’s shooting a camp fire. Last, she’s attacking the tree.

I personally liked the tree gone and her absorbing the lightning, so we went with that.

Next, I sent her the image I was going to use for the full cover (which I don’t have a color image of anymore):

Full cover with first “absorbing the lightning” image.

She told me that she didn’t like the two bolts coming down, so I removed one, and it did look better. I sent that to her, and she suggested I put one bolt on the back part of the cover, striking in the distance. So I sent her this:

You’ll also note that I removed the solid black on the bottom on these last two images, and just had Samara’s shadow there. The dark shadow behind her was there for a reason. I didn’t photograph my daughter’s feet in that picture and I was trying to cover up their absence.

I actually have a ton of images showing the multitude of changes we went through. It was a back-and-forth game for weeks. Each time, we would improve the image a little more. We adjusted the lighting and shadows, added the grass, and finally, she convinced me to plunge in and try to draw the feet in. I did, with excellent results. The final image was truly a masterpiece, the best art I have ever done.

The Unfettered Child without title

After we finally finished the image, we moved on to the text, but we were dangerously close to running out of time, and I couldn’t afford to tack on any more hours to keep going. However, in the last two emails she sent, we managed to fix the text for a beautiful end result.

We lowered the U in “Unfettered” and the C in “Child,” centered the title, and brought it lower. Next, we had the lightning shoot through the D of my last name, which was a really nice effect. Last, I added a tagline, and the final product is just amazing. Check it out here:

The final cover
The final mockup

What do you think?

~Michael C. Sahd

Art and Photoshop

During my previous three Making of a Cover posts, I told of my adventures during the week leading up to the photo shoot. Designing the cover in Photoshop had actually started weeks before that. I had so many projects going in the design of this book! Before I had my model, I had created various working covers to choose from, along with a number of text fonts to try out. Layouts, backgrounds, foregrounds, ideas upon ideas. Well, just look at them all: https://www.facebook.com/pg/MichaelCSahd/photos/?tab=album&album_id=671475539957154

Here’s an example of my first shared cover.
One I made from silhouettes

I really disliked these covers, but they were improving as I went along. The typography was another mess, and like with many of my other ideas, I turned to social media to request help deciding what to pick.

Using social media to help me decide what looks better turned out to be a very smart move, not only because my followers let me know their thoughts on the designs, but also for another reason that I will discuss in a bit.

Now came the fun part. I had my pictures from the photo shoot, and I needed to make a cover. Unfortunately, the pictures at the park didn’t sit right with me. The environment in the cold mountains of Aaruda are not the same as the humid briar lands of central Texas (Aaruda is what I named the world that Samara lives on, but it’s not really mentioned in the story. The inhabitants don’t often use the word for their planet, but I will definitely say more about it later. Maybe in another blog post, maybe in another book).

Pre Book Cover

Before I could start making the cover, I had to rifle through over 200 images to find something I liked and wanted to use. The image above is the one I finally settled on.

Then I had to get a background I was okay with using. For this, I turned to Pixabay, where I found this neat photo of a tree being struck by lightning.

Next, I had to remove the figure from the background. This is not an easy task. Any Photoshop user can tell you, hair and fur are a pain to separate from a background, even a green one. This gave me such a headache. This process is so difficult that my first two attempts were very shoddy.

my first attempt.

Take a close look at the hair and the fur. I’m sorry, but it’s terrible. She’s got some weird spiky thing happening at the edges. What happened is, in an attempt to get rid of the green screen, I had to desaturate the green in the image around the edges, making them appear dark. Hence the reason for the darkness at the tips of the fur.

I really, really disliked this and turned to Youtube to figure out a method to fix it better. What I found was instructions on how to paint hair back into the picture. So I recut out the model and got to work repainting the hair after the cut. I was very satisfied with this, and almost called it good:

Look how much cleaner that is.

However, before I washed my hands of it, I returned to social media to get opinions on my work, and let me tell you that I’m so glad I did. Three artists from the #artistsoftwitter community came to my rescue.

These artists (@ZenFuryBuddha, @GDNaturedVLLN, and @SaraGSpaceNerd) provided me with numerous tips on how to improve this picture even further. GDNatured even went so far as to do a quick example for me:

Compliments of @GDNaturedVLLN

I did like GD’s image, and I may have used it if the resolution were a little higher, but I jumped back into Photoshop and Youtube and started back to work on the cover.

Finally, I had something I was completely satisfied with:

Book cover mockup.
The final cover

I would love to hear some feedback. What do you think of the final cover? Does it pull you in? Would you grab this book off the shelf if you saw it in the store? Let me know in the comments below.

Thank you.

~Michael C. Sahd

Finding Samara

If anybody had been following me when I first started the publication process of Assassin Marked, they would know the struggle I went through to come up with a cover for it. Since it was such a short story I didn’t want to spend a lot of money, and I also couldn’t find any stock photography that portrayed Damian.

Fast forward two years later to when I began preparing my first full-length novel, The Unfettered Child, for publication. I wanted to really do my best with it, so I started early. I had several plans:

  1. Getting my daughter to model the main character
  2. Making a costume
  3. Doing a photo shoot
  4. Finally, making the cover

When I first had the idea, my daughter was keen on doing the photo shoot for me. For months we talked about it, and I went about buying the supplies to make the costume. After getting these supplies to a friend of ours, Dennis Swain, a tailor who makes costumes, my daughter decided that she didn’t want to do it anymore. Understandable, she didn’t feel comfortable showing her face to 1000s of people or more.

Panicking, I searched Pixabay for a suitable image that I could use. I found a few, but I wasn’t really satisfied with any of them.

None of these were suitable, and all of them would require a lot of shooping.

I did come up with a few designs from these. The one with the beanie, I replaced with a fur hood and cropped the chest. I put some really cool effects in her eyes. It was a nice substitute, but not good enough.

The frowning, dark-haired girl was the closest in appearances to Samara, but not quite sufficient. The redhead had a good expression, but changing that hair color would have been horrible. Finally, I did something with the silhouette, and that made it close to the final design of my cover.

I was very disappointed. After some time, the subject was brought up again, and my daughter took pity on me and agreed to do it again, on the condition that her face not be shown. Not a problem, an action scene is generally better than just a simple pose.

She had mixed feelings herself. One part of her was very interested in being on the book cover, while the other part was afraid of being in front of a camera. She very obviously doesn’t like her picture taken. For me, she was the best candidate for Samara, despite her hair color.

So it was decided, we were to move onto the photo shoot.

To be continued …

After a late night of last minute editing and fussing with Amazon Direct Publishing, my first short story is published.

Assassin Marked
by Michael C. Sahd
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Assassin Marked tells a story of a man and his lover who work for the mafia in a futuristic setting. I believe it is an interesting read.

Although I have overcome a great hurdle, my nerves are twisting into a ghastly knot, much like a pile of unraveled yarn. The pressure to provide more stories to the public weighs heavy on my mind. The last thing I want to do is provide this one story and then not release anything again until years later.

Assassin Marked, which I began to write almost ten years ago, had sat complete and edited for almost a year now (maybe more). I’m really hoping that future stories will come more quickly.

Yet I’m not done with Damian. Already, work has begun on a larger story involving the assassin, and the addition of some new individuals.

Meanwhile, Balanced Tipped faces a serious revision, but I’m confident that I will turn it in to my editor, Laura Pruett, very soon. Incidentally, if any of you reading this article are in need of an editor, click on the link I provided. I know of no better editor than her.

Keep checking back here for more information on published works.

In the past, I always felt that writer’s block was my biggest problem. After finally finishing a piece and readying it for publication, I find that finding an artist poses a much more harrowing task, especially when low on funds.

At least with writer’s block, my issues stem from self-induced obstacles, but finding an artist is beyond my control.

Over on Goblin Savant, I had my friend Ian illustrate Gerald der Zeichner, the Goblin Savant. However, finding suitable art to portray my protagonist in Assassin Marked proved nearly impossible, and after months of searching, waiting on the good graces of others, I decided to dust up my own Photoshop skills. I created a very plain cover in art noir that I am extremely pleased with.

Assassin Marked Book Cover
New Assassin Marked book cover

Please feel free to let me know what you think, either as a comment here or as a submission via my contact form. While you’re there, don’t forget to sign up for my monthly newsletter for your chance to win a prize.

~ Michael C. Sahd