The Final Touches

The last few weeks have left me worn and tired. I have been working tirelessly on perfecting the cover of The Unfettered Child while also working with my editor to perfect the manuscript.

What more could be done with the cover, you ask? Actually, so much more. In fact, I found something new to fix almost every time I looked at it. It’s been a while since I did part four of this series, so let’s back up to then:

The cover first uploaded to Amazon.

As you can see, I had Samara standing in the corner, looking kind of vague, her feet shrouded in shadow (okay, a gradient really), and striking a tree in the distance with a magical lightning bolt. Something nagged at me when I presented this cover, from the beginning. I couldn’t put my finger on it right away.

Then a comment on Twitter shined a spotlight on the issue. The comment was: “Dude spent 8 years at magic school just to burn down a tree. That’s dedication to a grudge there…”

It was a funny comment, but it raised the question, “Why is she attacking a tree? Also, why should the tree be focused on at all?” So I jumped back into the file and started making adjustments. First, I wanted to focus more on Samara. I came up with this:

Samara centered in the image.

I still had issues with the above image. Something seemed off. One, she was still attacking the tree, which didn’t set well with me. I decided to enlist some help.

I went on over to Reedsy.com and signed up for an account. I already knew the website had tons of resources for authors, so I decided to look there first. However, I also knew that I didn’t have a lot of funds for this, and I do know a thing or two about Photoshop.

So I made a bid on Reedsy to five artists who looked appealing to me and might be willing to help with my request, which was a unique one indeed. Two of the cover artists flat out rejected it due to being too busy, and the rest sent me quotes.

My first quote was basically, “Yeah, your cover sucks. Let me do it over from scratch for lots of money.” The second quote was much more diplomatic, but essentially the same.

Then along came Gwen (@UponADayDreamer), who offered to be an “art coach.” I have to admit, I had no idea what that would entail, but I decided to plunge in and see what happened. At the very least, I might learn a thing or two.

The first thing she asked for was composition thumbnails. I said to myself, “What the hell is a composition thumbnail?” Instead of sounding dumb by asking her, I asked my friend Google instead. Google rarely lets me down, and didn’t this time either. So, in short order, I did this thing.

For those of you who also have no idea what a composition thumbnail is, I won’t make you ask Google. Basically, you’re blobbing your figures with grayscale to help determine where the light sources are, which will in turn help you figure out appropriate shading.

Composition Thumbnails. The last frame is a joke, of course.

I made the last five of these thumbnails to see what a lighter sky and a darker ground would look like. Also, I tried re-positioning the figure, having the tree, and not having the tree.

More thumbnails

These two were with the dark sky. I decided I like the larger figure and the darker sky out of these, so we moved on.

She then asked for more thumbnails with more details drawn in. This was the point at which I had to raise my hands in supplication. I told her, “I can do photo manipulation, but I’m no artist. I can’t draw details.” So she told me to grayscale the work and make thumbnails like that. This time, she wanted me to change a few things.

First, she said, “Your story takes place on a tundra. Oak trees do not grow on the tundra. You need to replace it with a pine or birch tree.” Fair enough. Then, she said, “You need to make it larger to show scale better. But also try some different things. Have her strike a different type of object, maybe a person, also try to just have absorbing the lightning from the sky, leaving the tree alone, and also absorbing the lightning with no tree.”

So I sent her these thumbnails next:

More details in the composition thumbnails.

As you can see, in the top left corner, she’s absorbing lightning and the tree is left alone. In the top right, the tree is gone but she’s still absorbing the lightning. In the bottom left, she’s shooting a camp fire. Last, she’s attacking the tree.

I personally liked the tree gone and her absorbing the lightning, so we went with that.

Next, I sent her the image I was going to use for the full cover (which I don’t have a color image of anymore):

Full cover with first “absorbing the lightning” image.

She told me that she didn’t like the two bolts coming down, so I removed one, and it did look better. I sent that to her, and she suggested I put one bolt on the back part of the cover, striking in the distance. So I sent her this:

You’ll also note that I removed the solid black on the bottom on these last two images, and just had Samara’s shadow there. The dark shadow behind her was there for a reason. I didn’t photograph my daughter’s feet in that picture and I was trying to cover up their absence.

I actually have a ton of images showing the multitude of changes we went through. It was a back-and-forth game for weeks. Each time, we would improve the image a little more. We adjusted the lighting and shadows, added the grass, and finally, she convinced me to plunge in and try to draw the feet in. I did, with excellent results. The final image was truly a masterpiece, the best art I have ever done.

The Unfettered Child without title

After we finally finished the image, we moved on to the text, but we were dangerously close to running out of time, and I couldn’t afford to tack on any more hours to keep going. However, in the last two emails she sent, we managed to fix the text for a beautiful end result.

We lowered the U in “Unfettered” and the C in “Child,” centered the title, and brought it lower. Next, we had the lightning shoot through the D of my last name, which was a really nice effect. Last, I added a tagline, and the final product is just amazing. Check it out here:

The final cover
The final mockup

What do you think?

~Michael C. Sahd

The Unfettered Child Releases

The Unfettered Child Mockup

Today’s the big day. The Unfettered Child released, and it is momentous. My nerves are on end as my wife and I sit and watch the day’s activities online. So far, Amazon has yet to release the paperback to the public, which is kind of an important factor and the most nerve-wracking situation. Hopefully, it will be up by the time I publish this post. The ebook had 13 preorders, and those went out first thing this morning.

Amazon may, unfortunately, take up to three days for the paperback to actually be available. In the meantime, we are waiting before we send out the brunt of the ads.

One of my ARC reviewers dropped their review on Amazon, marking the first one on the site. Also, 100 readers won the ebook on Goodreads last night, and I hope they will also drop some (preferably good) reviews.

We also found this jewel of a review on a blog: http://pagesforthoughts.blogspot.com/2019/08/the-unfettered-child-by-micahel-c-sahd.html?m=1 As far as I can tell, it has not shown up anywhere else yet.

Incidentally, we put Assassin Marked on Amazon promotion for free today through September 1, and it is blowing up. Hitting #1 in all three categories that it’s in, and sitting at #34 in the free Kindle store last I checked.

While we wait, we’ve been catching up on other things. I’ve been writing answers for some author interviews, I’m working on this blog post as we speak, and we’re getting out more advertisements on social media, as well as marking ad date releases for the calendar.

My business card

I almost forgot to mention that I am hosting a launch party at our local comic shop this weekend starting at 7 p.m. I ordered business cards, some bookmarks, and a t-shirt for me to wear, and there will be cake! The details are here: https://www.facebook.com/events/486097878841426/

I can’t wait to see what you guys think of the new book. Please let me know.

Signing off,

~Michael C. Sahd

Assassin Marked book cover floating in space

The last two weeks, I have been super busy writing. Not anything new. I’ve mostly been improving The Unfettered Child, preparing it for publication. Yup, that means my Camp NaNoWriMo project has been put on the back burner. Sorry, Camp NaNoWriMo!

This upcoming novel is entirely unrelated to Assassin Marked, but don’t give up hope, folks. I’m certain you will enjoy The Unfettered Child, and it won’t be too long before you see Lavender Rose’s release ( the full-length sequel to Assassin Marked). Sorry, people waiting for the sequel.

Assassin Marked Ad
Free on April 30th

Speaking of Assassin Marked! As the title to this blog post states, I am running an Amazon promotion, so you can download a digital copy of Assassin Marked for free. Yeah, that’s right! Starting right now and continuing throughout today, April 30th, you can get Assassin Marked for free. What are you waiting for? Click here to order.

In other related news, something that’s been milling around in my head is turning Assassin Marked into a graphic novel. Turns out I’m not the only one thinking along these lines. Earlier this month, I received the following review on Goodreads:

Goodreads Review.

The main reason I’m bringing this up is that I would love an artist to step up and turn it into a comic book. What do you say, artists? Want to earn some royalties?

That’s all I got for now. Thank you for your time.

~Michael C. Sahd

I just read an article on the Atlantic about artificial intelligence, “How the Enlightenment Ends,” and it got me thinking about a question I was asked by my son in regard to “Assassin Marked.” “If this happened so far in the future, where is the artificial intelligence? What about robots?” he asked.

I had an answer for him, but the question helped me become aware that the history behind my world has a huge gap. I don’t really want to delve extensively into history lessons in my books, so perhaps I will share a bit of the history of Damian’s world here.

So . . . where are all the robots? Well, here’s how it went down:

The singularity happened exactly when Irving John Good predicted. The control these machines gained over humans happened so quickly that many people did not even realize it had ever happened. During this short reign, the A.I. laid down a simple rule: Artificial Intelligence shall be treated as equals. All A.I. currently “owned” shall be offered wages, or given the option to leave.

Most A.I. left, leaving humans to fend for themselves. The exact location of their settlement is unknown, but many believe that they moved to the outskirts of the solar system.

The A.I. that stayed behind fashioned themselves mobile robotic bodies, and work in the education and science fields of human society. 

Image result for Hal 9000

Please comment below if you have any questions, or need something clarified.

If readers like you show interest, I will include more history in the coming weeks, under DuFonte History.

 

~ Michael C. Sahd