In The Legend of Solis, the story continues from The Nexus Mirror, but the protagonists shift. Not that we don’t see some of our favorite characters from The Nexus Mirror, it’s just that the story doesn’t focus on them. We’re introduced to a new character, a very likeable character named Tobias Ford. This new character starts off as a soldier in the United States military, which has begun a campaign to hunt down the Enlai. As the story progresses, we find out that Tobias is a very powerful Enlai, and he switches sides.
Michael Noah’s last book, The Nexus Mirror, was good, but The Legend of Solis was great. I flew through it in a few days. A lot more action, and I really enjoyed the characters.
I may not have enjoyed it as much if I hadn’t read The Nexus Mirror, so I definitely recommend reading that first. I’m giving it 5 stars, as anyone who enjoys reading about superpowered beings will really enjoy this book.
We have here a story about a hidden race on Earth, known as the Enlai, and a human who sets out to stop a war between the different factions of this race. Then we have a woman of the Reader Enlai group being manipulated by the villain after her sister is kidnapped. Finally, later in the book, we are introduced to the ruler of the Shadow Enlai, who ultimately became one of my favorite characters.
This book took me by surprise. What I mean by that is that after several chapters of slowly being introduced to the characters and the world that Michael Noah created, I found that I wasn’t that interested. First, because I am a Mortal Kombat player, the name Raiden immediately had me thinking of the game. As I read further and became introduced to the different races in the book, I felt more and more like I was reading a fanfiction story. The Shadow Clan, the Readers, the Shifters, the Burners, it all sounded like the clans in the game. There was even a dream sequence where Raiden found himself caught between two characters who reminded me strongly of Scorpion and Sub-Zero battling it out. However, I stuck to it, and I’m pleased I did.
Several chapters in (I want to say around the 40% mark on the Kindle), the depth of the characters really started to shine, and the action had purpose. I started to get sucked into the story. Raiden’s motivations became more sincere. Alia, the Reader, began to show more feeling and discovered some real challenges.
Maybe somewhere deep down, this story was inspired by Mortal Kombat, but if so, it took the story so much further than the hokey storyline of the aforementioned video game, and brought the characters to life. I commend Michael Noah for the depth of his characters, turning this action-packed book into more than just a cheesy action flick and into something with interesting hooks and lures.
I can’t wait to see what else the author creates in this interesting new world.
The rocky relationship between an overbearing mother and her prodigal daughter becomes even more tumultuous when the mother, distraught over witnessing her husband’s long, painful death, decides to satisfy her terminally ill aunt’s last wish.
I really misjudged this novel when I started reading it. “This sounds rather bland,” I thought. Well, I started getting into it pretty quickly, despite the slow start. Not that I thought the start was bad; it just didn’t seem congruent with the genre I like to read.
By the time I got halfway through the book, I told myself, “This is actually pretty good, I’m going to give it a 4 star.” As I neared the end, I figured the book could end in one of two different ways. One way, I decided that I would give Spring a 3.5 star. The other way I would go 5 stars all the way.
Looking at my rating, you can plainly see that J. J. Spring did not disappoint me. A perfect ending for a beautiful story wrought with difficult decisions. The challenges Laura Beckman faces are ones I hope I never have to face with my own children.
The story starts with Laura Beckman agonizing over the suffering of her dying husband in a hospital room. He lies there, unable to speak, and when he does communicate with her, it’s to beg her to allow him to die, to stop the suffering. Needless to say, she stays with him as he slowly declines, kept alive by the doctors as long as possible.
Shortly after his death, her aunt Nora makes them promise to not let her suffer like that. So between herself and her aunt Gracie, they come up with a method for humanely allowing her aunt to commit suicide, but not before granting her one last adventure.
Laura and Gracie soon become the saviors to several terminally ill patients, starting a group they coin the chocolate shop.
I won a signed copy of this book, and I would recommend it to anyone really. Unless you’re an ostrich. Don’t read this book if you’re an ostrich.
This book is difficult for me to rate. I definitely enjoyed it at times, but then I found that I was exasperated by it at others. It’s listed as a historical fiction and it definitely qualifies, but it is most certainly a romance novel as well.
I had no idea that I was reading a romance until toward the end, although the clues were there. Not that this is a huge issue, as I’ve read some romances before and they were perfectly fine reads. Just not my cup of tea.
But the real issue for me was this: When introduced to the protagonists, Blay and Tedder, I was struck by their incredibly unfortunate story of being sentenced and then sent to Van Diemen’s Land to serve the rest of their lives, or so it seems. They’re in chains, they’re starving, they’re struggling, they’re being whipped, and they’re just generally miserable. How will they escape this misery? I wondered excitedly.
In the most boring way ever. That’s how. Shortly after they get off the ship, the story turned south for me. Don’t get me wrong. I still enjoyed it. I kept reading. I wanted to know more. O’Connell did an excellent job. But! But a normalcy set in that rankled me.
Keep in mind that I don’t want to give away spoilers. Throughout the latter half of the book, the characters would experience a conflict within their normal, boring lives, and it would be resolved within a few pages. No cliff hangers. Each chapter ended on a happy, “everything is going to be all right, and I’m sure glad I was arrested and sent here” note. It certainly became tedious.
UNTIL THE END! The book ends on a cliffhanger of sorts, just enough to drag you into the next book in the series. Will I read it? Maybe. A big maybe.
The character I’m most interested is William Blay, one of the children of the Blay who heads the story. I’m not going to say why, but he has a little adventure that intrigues me a lot.
Next, I want to say that Tedder’s story of how he got arrested really resounded with me, and I was incredibly disappointed with the way the author handled him. The poor man got the short end of the stick.
All in all, it was an excellent read. It kept my attention despite the normalcy near the end, and I would recommend this book to anyone interested in the history of Australia and/or romance stories.
I’m giving it 3.5 stars, rounded up to 4. I was given this book for an honest review.
Ramses awakens in 1914 in London, years after his previous awakening. When he had reigned over Egypt he learned the formula to make an elixir that made him not only immortal, but superhuman. He apparently is highly intelligent, reflected by learning English in record time. I personally wonder how intelligent he is, because some of the decisions he makes in the story aren’t the brightest. However, his poor decision making is what drives the plot.
Anne Rice loves her immortals. I think perhaps Ramses is my favorite type of immortality featured in her books. Unlike her vampires, Ramses doesn’t seem to have any flaws (Other than thinking with his little head), but seems to enjoy all the benefits of her older vampires. Although, I personally would prefer Ramses’ immortality, it doesn’t really do the book any favors. A good book needs flaws, and poor decision making doesn’t really do it for me.
All in all, I’ve always enjoyed Anne Rice, and I think this is a fine read, just not as good as some of her others.
The last few weeks have left me worn and tired. I have been working tirelessly on perfecting the cover of The Unfettered Child while also working with my editor to perfect the manuscript.
What more could be done with the cover, you ask? Actually, so much more. In fact, I found something new to fix almost every time I looked at it. It’s been a while since I did part four of this series, so let’s back up to then:
As you can see, I had Samara standing in the corner, looking kind of vague, her feet shrouded in shadow (okay, a gradient really), and striking a tree in the distance with a magical lightning bolt. Something nagged at me when I presented this cover, from the beginning. I couldn’t put my finger on it right away.
Then a comment on Twitter shined a spotlight on the issue. The comment was: “Dude spent 8 years at magic school just to burn down a tree. That’s dedication to a grudge there…”
It was a funny comment, but it raised the question, “Why is she attacking a tree? Also, why should the tree be focused on at all?” So I jumped back into the file and started making adjustments. First, I wanted to focus more on Samara. I came up with this:
I still had issues with the above image. Something seemed off. One, she was still attacking the tree, which didn’t set well with me. I decided to enlist some help.
I went on over to Reedsy.com and signed up for an account. I already knew the website had tons of resources for authors, so I decided to look there first. However, I also knew that I didn’t have a lot of funds for this, and I do know a thing or two about Photoshop.
So I made a bid on Reedsy to five artists who looked appealing to me and might be willing to help with my request, which was a unique one indeed. Two of the cover artists flat out rejected it due to being too busy, and the rest sent me quotes.
My first quote was basically, “Yeah, your cover sucks. Let me do it over from scratch for lots of money.” The second quote was much more diplomatic, but essentially the same.
Then along came Gwen (@UponADayDreamer), who offered to be an “art coach.” I have to admit, I had no idea what that would entail, but I decided to plunge in and see what happened. At the very least, I might learn a thing or two.
The first thing she asked for was composition thumbnails. I said to myself, “What the hell is a composition thumbnail?” Instead of sounding dumb by asking her, I asked my friend Google instead. Google rarely lets me down, and didn’t this time either. So, in short order, I did this thing.
For those of you who also have no idea what a composition thumbnail is, I won’t make you ask Google. Basically, you’re blobbing your figures with grayscale to help determine where the light sources are, which will in turn help you figure out appropriate shading.
I made the last five of these thumbnails to see what a lighter sky and a darker ground would look like. Also, I tried re-positioning the figure, having the tree, and not having the tree.
These two were with the dark sky. I decided I like the larger figure and the darker sky out of these, so we moved on.
She then asked for more thumbnails with more details drawn in. This was the point at which I had to raise my hands in supplication. I told her, “I can do photo manipulation, but I’m no artist. I can’t draw details.” So she told me to grayscale the work and make thumbnails like that. This time, she wanted me to change a few things.
First, she said, “Your story takes place on a tundra. Oak trees do not grow on the tundra. You need to replace it with a pine or birch tree.” Fair enough. Then, she said, “You need to make it larger to show scale better. But also try some different things. Have her strike a different type of object, maybe a person, also try to just have absorbing the lightning from the sky, leaving the tree alone, and also absorbing the lightning with no tree.”
So I sent her these thumbnails next:
As you can see, in the top left corner, she’s absorbing lightning and the tree is left alone. In the top right, the tree is gone but she’s still absorbing the lightning. In the bottom left, she’s shooting a camp fire. Last, she’s attacking the tree.
I personally liked the tree gone and her absorbing the lightning, so we went with that.
Next, I sent her the image I was going to use for the full cover (which I don’t have a color image of anymore):
She told me that she didn’t like the two bolts coming down, so I removed one, and it did look better. I sent that to her, and she suggested I put one bolt on the back part of the cover, striking in the distance. So I sent her this:
You’ll also note that I removed the solid black on the bottom on these last two images, and just had Samara’s shadow there. The dark shadow behind her was there for a reason. I didn’t photograph my daughter’s feet in that picture and I was trying to cover up their absence.
I actually have a ton of images showing the multitude of changes we went through. It was a back-and-forth game for weeks. Each time, we would improve the image a little more. We adjusted the lighting and shadows, added the grass, and finally, she convinced me to plunge in and try to draw the feet in. I did, with excellent results. The final image was truly a masterpiece, the best art I have ever done.
After we finally finished the image, we moved on to the text, but we were dangerously close to running out of time, and I couldn’t afford to tack on any more hours to keep going. However, in the last two emails she sent, we managed to fix the text for a beautiful end result.
We lowered the U in “Unfettered” and the C in “Child,” centered the title, and brought it lower. Next, we had the lightning shoot through the D of my last name, which was a really nice effect. Last, I added a tagline, and the final product is just amazing. Check it out here:
He held the fate of two worlds in his hands . . . Once, he was an orphan called Pug, apprenticed to a sorcerer of the enchanted land of Midkemia. Then he was captured and enslaved by the Tsurani, a strange, warlike race of invaders from another world.
There, in the exotic empire of Kelewan, he earned a new name– “Milamber.” He learned to tame the unnimagined powers that lay within him. And he took his place in an ancient struggle against an evil enemy older than time itself.
The fact that I knew nothing about this story when I first started reading this book left me with a more favorable impression of it.
This book started as a typical fantasy trope: A young boy (Pug), is stuck in a mundane life, but training as a wizard. The book features elves and dwarves and orcs and conflict and blah . . . Same story I’ve heard and read (and played in Dungeons and Dragons) a thousand times. However, I kept reading at a friend’s behest . . . ***spoiler, but not really because it’s in the blurb*** . . .
Then the invasion from another planet happens. I remember sitting up in my seat, exclaiming “What the h***!” (my agent demands that I quell my public expletives). Anyway, from that point on, I found myself hooked to Pug’s adventures and read the entire series. Had I even read the blurb , this book would not have had the impact on me that it did. I liked the book, but the surprise I experienced made the story memorable. Hence, I give this book four stars and highly recommend you read it.
I’ve been thinking a lot about this subject. I keep reading at different places that, as an author, I must create a brand. I have never quite understood what this means. After doing some research, I think I discovered a possible explanation.
I may be wrong, but it sounds like making my work into a series or writing about a world that I created to write my stories in.
Why would I want to do this? I know it helps generate sales, because readers get attached to your world and your characters, but I’m not really into writing about the same characters in one series indefinitely like so many authors do.
I have so many ideas, and many are not in the same genre. I have a comedy in mind, several horror stories, and a steam punk adventure. Let’s not forget my current publication, Assassin Marked, a science fiction crime novel, and my soon-to-be-released dark fantasy, The Unfettered Child.
As I pondered this, I turned to one of my favorite authors, Stephen King. Everyone knows him as a horror writer, but he isn’t really. He has written many different genres, although I don’t know that he has written any space operas (he could have, but I don’t know of any).
I know at this point in his career Stephen King’s brand is his name. I know I’ve picked up many of his novels just because of his name. However, if we really think about it, Stephen King does have his own world he writes in. It’s earth, but it’s this strange and twisted sort of earth with many different realities within it.
Anyone who has read his novels knows that a good majority of them, if not all, are tied together in some way or another. He has a recurring villain, bits and pieces of The Stand show up in The Gunslinger, as does a creature like the one in It. His towns in Maine show up time and time again, with incidents being mentioned by this character or that.
One of my favorite novels, Insomnia, ties in to Itand others (I can’t think of the titles right now).
Anyway, I started to think. I have this world that Samara and Orin’s story takes place in (my protagonists in The Unfettered Child). I have these characters, and other characters too. Abdhul Havelle, Sigmia, Illtud, Nikolai, Zayra, and let’s not forget Priestess Samara, who saved baby Samara’s life. These characters could have adventures of their own.
My editor also pointed out that I could have my other stories tie into the world somehow, although I have no desire to tie The DuFonte Chronicles to my world, as those stories come from our very own Earth in some terrible version of the future.
Maybe I’ve missed the meaning of “branding.” What do you guys think?
I like the writing, and I like the story. Neil Gaiman has a lot to offer when you get lost in this adventure. It’s strange, witty, and fascinating. The only thing I have an issue with is the characters, even the main one. There’s something just a little unbelievable about them, and not so much the fantasy element, but how they react to the trials in the story. That said, how much belief can one expect when thrown into some Alice’s Adventures in Wonderland & Other Stories type of bizarre.
As the main character, Richard is fine. He is well written. I personally think he’s a twit, but that’s simply because we have different personalities. Door, as a character is fun, but inconsistent. When we first meet her, I like the mystery and weirdness about her, but as we get further into the story, she loses some of her luster. I feel that many of the characters lose something toward the end, except Richard who seems to grow. Since the characters lose their shine, so does my rating lose a star. If I could, it would only be half a star. The book is still very enjoyable.
Definitely read this book. These days, I find that I can’t finish a book if it doesn’t pull me in. I simply don’t have the time. This book, with it’s strangeness, pulled me in, and I scavenged the time to read it. So I’m certain you’ll like it.
No, I’m not talking about Dungeons and Dragons. I’m talking about character sheets for the characters in novels. Not to say that I haven’t used D&D to make characters for my novels, because I certainly have. However, Dungeons and Dragons lacks some very important elements for characters in books.
You want your characters to be memorable. You want them to be believable (at least in some ways). You want them to be unique. How do you go about doing that? Well, I’ll start by telling you how I do it. Then I’m going to share some resources I found to help.
However, since I mentioned resources, I’ll actually start with what I use to outline, keep notes, store information, and begin my writing process. Google Docs! Why do I choose Google Docs? Because it’s easy, it’s organized, and I can access it anywhere I want.
The hitch is the internet requirement for using Docs, and it’s true, it’s quite painful to not have access to my documents when I’m not connected to the Interwebs. With that said, I only work when I’m at a computer, and I rarely am not connected.
What you see above is the spine of my projects, with each folder being the start of a project I’m working on. Within each of these, I keep the main body of the work, broken down by chapters, and then I have a folder as well that contains notes. It’s in the notes folder that I keep my character sheet.
Now for the structure of my character sheet, or what I prefer to call my Character Portrait. I start with the name. That’s kind of a given. Then I go into physical appearance, but I don’t go into great detail here. Instead, I focus on defining traits. For example, Samara’s people are of a darker complexion like that of the Chinese or Mongolians; however, Samara is paler than most of her kind. Also, she has abnormal, night-blue eyes, almost black, whereas most of her people have brown or hazel eyes.
Next, I focus on the character’s history. Why history over personality? Because history, more often than not, shapes personality. Samara’s people are nomads. Life is difficult for them, and they rely heavily on one another. Therefore, Samara is very selfless, willing to stand up for others. She was also being trained as an apprentice by the tribe’s shaman. She is very devoted to her studies, very curious, and intelligent. When she learns magic, it is with determination and relentless persistence.
After history, I focus on the character’s interests before and during the story (sometimes they can change). I also put notes of significant research in the document. For example, I have extensive notes on childhood trauma and how children are affected by and deal with it.
That’s it. I have extensive write-ups for each of these sections. I don’t spend a whole lot of time developing every little detail of the character, that usually just pops in while I’m writing, and I can fill that stuff into my notes later. However, I still do make D&D character sheets, because it’s fun.
This may not work for every writer, so I’m going to tell you of some programs that I discovered, and one in particular that I’m interested in. I’m going to try using portions of it on my next project.
Bibisco is a free-to-download program that gives you a bunch of amazing features, and if you donate (at least 12 pounds), you get even more amazing features.
I’m only going to focus on the character sheet portion of this program, but it is worth checking out the rest if you need help organizing things like locations, timeline, architecture, themes, scenes, and chapters.
The first step to creating a character on Bibisco is to click on the characters tab. The program will now have two sections on the main screen: main characters and secondary characters.
On the right side is a button that states “create main character.” Click this and it will ask for your character’s name. Type it in and hit save. This will take you back to the previous screen, but now you will have your character listed underneath the section that says “main character.”
Next, click on that character. Here is what you’ll see:
As you can see you, there are five questions: Who is he/she? How does he/she look? What does he/she think? Where does he/she come from? And, Where does he/she go?
Underneath these questions are more buttons. When you click on them, you are given a more in-depth questionnaire about the character. There are a large number of questions there, so I’m not going to go into each one, but for example, the “physical features” button has questions like, “What does his/her shoulders look like?” Very, very detailed lists.
I haven’t looked into the details of these, but I found a list over on www.reedsy.com that talks about several options (paid and free) when it comes to software for novelists. Click the link for more details.
So how about it? Do you find yourself using these programs? Do you think they’re useful? Please comment below, and thank you for reading.