Today’s the big day. The Unfettered Child released, and it is momentous. My nerves are on end as my wife and I sit and watch the day’s activities online. So far, Amazon has yet to release the paperback to the public, which is kind of an important factor and the most nerve-wracking situation. Hopefully, it will be up by the time I publish this post. The ebook had 13 preorders, and those went out first thing this morning.
Amazon may, unfortunately, take up to three days for the paperback to actually be available. In the meantime, we are waiting before we send out the brunt of the ads.
One of my ARC reviewers dropped their review on Amazon, marking the first one on the site. Also, 100 readers won the ebook on Goodreads last night, and I hope they will also drop some (preferably good) reviews.
Incidentally, we put Assassin Marked on Amazon promotion for free today through September 1, and it is blowing up. Hitting #1 in all three categories that it’s in, and sitting at #34 in the free Kindle store last I checked.
While we wait, we’ve been catching up on other things. I’ve been writing answers for some author interviews, I’m working on this blog post as we speak, and we’re getting out more advertisements on social media, as well as marking ad date releases for the calendar.
I almost forgot to mention that I am hosting a launch party at our local comic shop this weekend starting at 7 p.m. I ordered business cards, some bookmarks, and a t-shirt for me to wear, and there will be cake! The details are here: https://www.facebook.com/events/486097878841426/
I can’t wait to see what you guys think of the new book. Please let me know.
I’ve been thinking a lot about this subject. I keep reading at different places that, as an author, I must create a brand. I have never quite understood what this means. After doing some research, I think I discovered a possible explanation.
I may be wrong, but it sounds like making my work into a series or writing about a world that I created to write my stories in.
Why would I want to do this? I know it helps generate sales, because readers get attached to your world and your characters, but I’m not really into writing about the same characters in one series indefinitely like so many authors do.
I have so many ideas, and many are not in the same genre. I have a comedy in mind, several horror stories, and a steam punk adventure. Let’s not forget my current publication, Assassin Marked, a science fiction crime novel, and my soon-to-be-released dark fantasy, The Unfettered Child.
As I pondered this, I turned to one of my favorite authors, Stephen King. Everyone knows him as a horror writer, but he isn’t really. He has written many different genres, although I don’t know that he has written any space operas (he could have, but I don’t know of any).
I know at this point in his career Stephen King’s brand is his name. I know I’ve picked up many of his novels just because of his name. However, if we really think about it, Stephen King does have his own world he writes in. It’s earth, but it’s this strange and twisted sort of earth with many different realities within it.
Anyone who has read his novels knows that a good majority of them, if not all, are tied together in some way or another. He has a recurring villain, bits and pieces of The Stand show up in The Gunslinger, as does a creature like the one in It. His towns in Maine show up time and time again, with incidents being mentioned by this character or that.
One of my favorite novels, Insomnia, ties in to Itand others (I can’t think of the titles right now).
Anyway, I started to think. I have this world that Samara and Orin’s story takes place in (my protagonists in The Unfettered Child). I have these characters, and other characters too. Abdhul Havelle, Sigmia, Illtud, Nikolai, Zayra, and let’s not forget Priestess Samara, who saved baby Samara’s life. These characters could have adventures of their own.
My editor also pointed out that I could have my other stories tie into the world somehow, although I have no desire to tie The DuFonte Chronicles to my world, as those stories come from our very own Earth in some terrible version of the future.
Maybe I’ve missed the meaning of “branding.” What do you guys think?
No, I’m not talking about Dungeons and Dragons. I’m talking about character sheets for the characters in novels. Not to say that I haven’t used D&D to make characters for my novels, because I certainly have. However, Dungeons and Dragons lacks some very important elements for characters in books.
You want your characters to be memorable. You want them to be believable (at least in some ways). You want them to be unique. How do you go about doing that? Well, I’ll start by telling you how I do it. Then I’m going to share some resources I found to help.
However, since I mentioned resources, I’ll actually start with what I use to outline, keep notes, store information, and begin my writing process. Google Docs! Why do I choose Google Docs? Because it’s easy, it’s organized, and I can access it anywhere I want.
The hitch is the internet requirement for using Docs, and it’s true, it’s quite painful to not have access to my documents when I’m not connected to the Interwebs. With that said, I only work when I’m at a computer, and I rarely am not connected.
What you see above is the spine of my projects, with each folder being the start of a project I’m working on. Within each of these, I keep the main body of the work, broken down by chapters, and then I have a folder as well that contains notes. It’s in the notes folder that I keep my character sheet.
Now for the structure of my character sheet, or what I prefer to call my Character Portrait. I start with the name. That’s kind of a given. Then I go into physical appearance, but I don’t go into great detail here. Instead, I focus on defining traits. For example, Samara’s people are of a darker complexion like that of the Chinese or Mongolians; however, Samara is paler than most of her kind. Also, she has abnormal, night-blue eyes, almost black, whereas most of her people have brown or hazel eyes.
Next, I focus on the character’s history. Why history over personality? Because history, more often than not, shapes personality. Samara’s people are nomads. Life is difficult for them, and they rely heavily on one another. Therefore, Samara is very selfless, willing to stand up for others. She was also being trained as an apprentice by the tribe’s shaman. She is very devoted to her studies, very curious, and intelligent. When she learns magic, it is with determination and relentless persistence.
After history, I focus on the character’s interests before and during the story (sometimes they can change). I also put notes of significant research in the document. For example, I have extensive notes on childhood trauma and how children are affected by and deal with it.
That’s it. I have extensive write-ups for each of these sections. I don’t spend a whole lot of time developing every little detail of the character, that usually just pops in while I’m writing, and I can fill that stuff into my notes later. However, I still do make D&D character sheets, because it’s fun.
This may not work for every writer, so I’m going to tell you of some programs that I discovered, and one in particular that I’m interested in. I’m going to try using portions of it on my next project.
Bibisco is a free-to-download program that gives you a bunch of amazing features, and if you donate (at least 12 pounds), you get even more amazing features.
I’m only going to focus on the character sheet portion of this program, but it is worth checking out the rest if you need help organizing things like locations, timeline, architecture, themes, scenes, and chapters.
The first step to creating a character on Bibisco is to click on the characters tab. The program will now have two sections on the main screen: main characters and secondary characters.
On the right side is a button that states “create main character.” Click this and it will ask for your character’s name. Type it in and hit save. This will take you back to the previous screen, but now you will have your character listed underneath the section that says “main character.”
Next, click on that character. Here is what you’ll see:
As you can see you, there are five questions: Who is he/she? How does he/she look? What does he/she think? Where does he/she come from? And, Where does he/she go?
Underneath these questions are more buttons. When you click on them, you are given a more in-depth questionnaire about the character. There are a large number of questions there, so I’m not going to go into each one, but for example, the “physical features” button has questions like, “What does his/her shoulders look like?” Very, very detailed lists.
I haven’t looked into the details of these, but I found a list over on www.reedsy.com that talks about several options (paid and free) when it comes to software for novelists. Click the link for more details.
So how about it? Do you find yourself using these programs? Do you think they’re useful? Please comment below, and thank you for reading.
This upcoming novel is entirely unrelated to Assassin Marked, but don’t give up hope, folks. I’m certain you will enjoy The Unfettered Child, and it won’t be too long before you see Lavender Rose’s release (the full-length sequel to Assassin Marked). Sorry, people waiting for the sequel.
Speaking of Assassin Marked! As the title to this blog post states, I am running an Amazon promotion, so you can download a digital copy of Assassin Marked for free. Yeah, that’s right! Starting right now and continuing throughout today, April 30th, you can get Assassin Marked for free. What are you waiting for? Click here to order.
In other related news, something that’s been milling around in my head is turning Assassin Marked into a graphic novel. Turns out I’m not the only one thinking along these lines. Earlier this month, I received the following review on Goodreads:
The main reason I’m bringing this up is that I would love an artist to step up and turn it into a comic book. What do you say, artists? Want to earn some royalties?
That’s all I’ve got for now. Thank you for your time.
While perusing the endless posts of writers seeking help and advice on social media, I’ve run across some who ask, “How can I make magic work in my story?”
Many established authors have broached the subject and invented unique methods, but new writers want to make something fresh.
The real question is: What is a fantasy story without magic? Of the top of my head, I can’t think of any high fantasy stories that don’t include magic of some kind. J.R.R. Tolkien, J.K. Rowling, Neil Gaiman, Robert Jordan, and so many more authors have included magic in their stories.
Each of these authors approaches the use of magic in their own way, and applies their own limits to its use. For example, Harry Potter must have a wand and must know the correct incantation. Stupefy anyone lately?
These limitations, I feel, are very important for an author to include, and would perhaps be the first thing to consider when developing a magic system. Without them, a character runs the risk of becoming a superbeing without challenges, and challenges are what make a story good.
While you are developing your system, consider including a learning curve for beginners, and the opportunity for growth. Remember Willow‘s first spell? He accidentally shot himself into a tree. Perhaps you can have a school for magic, or an apprentice system. Regardless of the method you choose, all of your characters should have a starting point, and a place to grow into.
These three things–limitations, learning, and growth–serve as a foundation to your character and their magical growth. Next, you can develop magical structure and techniques, but honestly, these are not important to flesh out unless you feel your reader needs them to understand the first three things.
In my current work-in-progress, for instance, a mage must draw upon their own inner reserve of power, which grows stronger as they practice the art. As the mage uses magic, it drains them, making them feel tired. If they push too hard, the mage will die from the exertion.
It’s a very simple explanation, and I like it that way. This allows me to focus on telling the story. Don’t let your lessons on how magic works interfere with the tale you’re weaving.
I would love to hear your thoughts on how magic works for you. Let me know in the comments below.
Assassin Marked: I’m very excited to report that Assassin Marked has been republished with a new cover. I created several designs of the new cover, but this is the one we decided to go with. I’d like to give credit to my nine-year-old son, Erebus, for providing tips on the colors of the lettering, specifically the red.
We also improved the interior text formatting so that the words on the right page are not so close to the binding. In addition, we added a few more pages to the end of the book, giving you a very short sneak peak of Lavender Rose (the next book in the series), and my upcoming fantasy novel, The Unfettered Child (soon to be released).
In the short time that I have had Assassin Marked republished with the new cover, we have discovered a significantly more favorable response on Amazon giveaways for the book. It’s interesting how a cover can make such a difference. On some levels, it makes sense, since the cover is the first thing a potential buyer sees. If it isn’t interesting, then why should they purchase it? It doesn’t matter how good the inside content is if people aren’t attracted by the cover. I find this unfortunate, but that’s just the way it is.
I’ve learned something very important from publishing Assassin Marked. I really hate writing in first person. I dislike it so much that I’m not going to continue that theme with the next book in The DuFonte Chronicles. I particularly found switching between Damian and Victoria’s perspectives difficult, especially when trying to write as Victoria. I hope nobody finds this change disappointing. I did consider adding a short, first-person, dialogue with Damian at the beginning of each chapter. I may still. Please leave me a comment regarding your thoughts on this matter.
Going back to the previews that I put into Assassin Marked, I plan on placing them here on the website, as well, so check back soon.
The Unfettered Child: Progress Report – Currently, the novel is sitting at 82,000 words, and 18 chapters. I estimate it to be about 82% completed.
Lavender Rose: Progress Report – Currently, the novel sits at 13,270 words. About 13% completed.
As always, feel free to leave me a comment with any thoughts or questions.
I just read an article on the Atlantic about artificial intelligence, “How the Enlightenment Ends,” and it got me thinking about a question I was asked by my son in regard to “Assassin Marked.” “If this happened so far in the future, where is the artificial intelligence? What about robots?” he asked.
I had an answer for him, but the question helped me become aware that the history behind my world has a huge gap. I don’t really want to delve extensively into history lessons in my books, so perhaps I will share a bit of the history of Damian’s world here.
So . . . where are all the robots? Well, here’s how it went down:
The singularity happened exactly whenIrving John Goodpredicted. The control these machines gained over humans happened so quickly that many people did not even realize it had ever happened. During this short reign, the A.I. laid down a simple rule: Artificial Intelligence shall be treated as equals. All A.I. currently “owned” shall be offered wages, or given the option to leave.
Most A.I. left, leaving humans to fend for themselves. The exact location of their settlement is unknown, but many believe that they moved to the outskirts of the solar system.
The A.I. that stayed behind fashioned themselves mobile robotic bodies, and work in the education and science fields of human society.
Please comment below if you have any questions, or need something clarified.
If readers like you show interest, I will include more history in the coming weeks, under DuFonte History.
Today through Christmas, the Kindle edition of “Assassin Marked” is free on Amazon. My wife started the Amazon promotion this morning and by lunch, 11 copies had been purchased. Add it to your to-read list for some fun reading material to entertain you during your time off this Christmas. Feel free to leave a review, and be sure to let me know what you think!
Not all of you may know this, but I have a manager. My wife not only edits my work, but she has also been marketing for me like a beast. Hence, we have scheduled a book signing at our public library — the Brownwood Public Library, located at 600 Carnegie St. in Brownwood, TX to be precise. I plan to be there from 9 a.m. to 1 p.m. on the 18th of November, and you can bring a book to be signed. If you don’t have a book yet, there will be plenty there for sale that I will also sign.
When I first discussed the book signing with the library, we had planned for the 11th of November; but alas, today we received an email stating that the library director had just learned that the library will be closed that day due to Veteran’s Day. Of course, my wife had already advertised for the 11th on several websites. Rather humorous.
Today, 24 copies of “Assassin Marked” arrived in the mail. The paper copy turned out very nice. Looking the book over, my wife and I discussed the idea of turning the story into a graphic novel. I think it would be a very cool graphic novel; unfortunately, I am definitely not capable of illustrating anything myself. Finding someone to do the cover was well-nigh impossible. So maybe someday.
In “Assassin Marked, ” the locations are backdrops and not fully elaborated on in the story; however, in the DuFonte Chronicles setting, Arbona and Penelope are advanced O’Neill Cylinders. Gerard K. O’Neill, an American physicist, proposed the design of these Cylinders, as conceptualized below.